Fashion Forward
Haute Couture Era: 1900-1920
Women’s fashion in the early 1900s highlighted the silhouette of the mature, full-figured body. Low busts and curvy hips were flaunted by the dress styles of the era (Pendergast 2004). In the early years of the first decade, skirts were long and full and often contained a small train, similar to what is commonly seen in today’s wedding gowns. However, as the decade drew to a close, skirts gradually grew shorter and began to reveal tantalizing glimpses of the ankle. The overall silhouette of dresses also changed slightly, moving toward a narrower, straighter line.
The early 1900s also marked the flowering of the haute couture movement in Paris. Parisian designers set the fashion tone for the rest of the Western world, and their designs were highly sought after by women of the upper classes. Quite frequently, horse races served as a debut for important new fashions, as well-known designers sent models to attend these races wearing their latest creations (Pendergast 2004).
From 1910 until the start of the First World War in 1914, fashion continued to move toward slimmer, narrower silhouettes that emphasized flat busts and slim hips (Pendergast 2004). Bustles and trains were removed from dresses, as fashion designers played with the length of skirts to reveal enticing new areas of skin. However, as the war began in 1914, attention and materials were drawn away from fashion design, and no significant fashion developments occurred again until peace was declared at the end of 1918.
Modern Era: 1920-1940
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The decade of the 1930s also saw the first true distinction between day and evening styles. During the affluent era of the 1920s, women could easily wear impractical clothing during the day without worry, so long as domestic servants took care of the chores (Pendergast 2004). However, the hard times of the Depression caused many women to do more work at home themselves and necessitated more practical clothing for the daytime. Simple skirts and pared-down outfits allowed for ease of mobility in the daytime, while new fabrics such as metallic lamé became popular for more luxurious evening wear. The newly improved, synthetic fabric rayon became an important part of many designers’ fashions during the 1930s, and cotton also moved into more stylish clothing designs; however, silk remained the primary fabric of most fashion designers.
Rationed Fashion and the New Look: 1940 – 1960
As Europe, and later America, entered the landscape of World War II, fashion responded to the restrained mood and economy of the war. Drabness and uniformity in clothing were embraced, and people were encouraged to make do with and mend the clothing they already had. Service uniforms were constantly seen on both men and women at all types of social functions, as the reality of the war became impossible to ignore.
During the war, all types of cloth were needed for a variety of wartime purposes, and material for clothing was severely rationed. Women were issued a limited number of ration coupons to use for clothing purchases each year, and this number declined steadily as the war progressed. Due to the limited materials, fashions of the era emphasized shorter skirts than ever before and short, blocky jackets (Pendergast 2004). Buttons for any type of apparel were limited to three per clothing item. Nylon stockings were very scarce, and women were encouraged to make do with ankle socks and bare legs. During the war and its aftermath, there was rarely an adequate amount of any clothing item available, and women were forced to do the best they could and dress as femininely as possible with the available stock.
By the late 1940s and early 1950s, designers had quickly grown tired of the utilitarian, minimalist clothing of the wartime era. Longings for elegance and luxury that had been suppressed during the war years began to creep out again with the “New Look” of fashion in the late 1940s in which clothing styles emphasized rounded shoulders, full skirts, and narrow waists (Hall 1992). The garments were often lined with luxurious, expensive fabrics, and ornate accessories became necessary items. Although critics complained about the extravagance of the clothing while rationing was still mandated, women throughout the country clamored for the revitalized femininity of the New Look. And it would prove to be popular enough to last well into the affluent decade of the 1950s.
Fashion Revolution: 1960 – 1980
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Present Era: 1980 – 2007
While high fashion had greatly declined during the free-for-all of the 1960s and 1970s, the 1980s saw a definite rise in the popularity of designer styles. Wealthy people across the country flocked to New York boutiques and Paris fashion shows to purchase directly from designers’ lines, while mass producers replicated the high fashions for the general public. Power and money dominated the styles of the 1980s, with women donning expensive business suits and dresses during the day and extravagant designer gowns in the evening (Pendergast 2004). While not everybody could afford the expensive designer clothing, some top fashion designers such as Calvin Klein and Ralph Lauren also produced ready-to-wear lines to appeal to less-affluent customers. During the 1980s, clothing was a sign of power, and the top designers reigned supreme with their fashionable apparel.
But by the 1990s, women had begun to reject the moneyed, designer styles of the 1980s and opt for more comfortable, casual clothing. Flannel shirts and ripped jeans inspired by the grunge movement in rock and roll became popular, while the rising hip-hop movement brought baggy pants into fashion (Pendergast 2004). Whatever its expression, comfort remained the key factor in clothing choice for most women in the 1990s and 2000s. Even standards for work relaxed somewhat, and casual dresses and pants became popular workplace attire.
Today, while expensive designer clothing is still sought after by some women, casual, comfortable clothing styles at reasonable prices are the popular choice at the start of the new century. But one never knows what new trendy or outrageous style will emerge next on the fashion scene.
-- Posted May 2, 2007
References Hall, Lee. 1992. Common Threads: A Parade of American Clothing. Boston: Little, Brown.
Pendergast, Sara. 2004. Fashion, Costume and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages. Detroit: UXL.
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